artlog


caraincertezza:

blackpicture:

René Burri Colombian writer Gabriel Garcia Marquez. Barcelona (1999)

Gli disse che l’amore era un sentimento contro natura, che dannava due sconosciuti a una dipendenza meschina e insalubre, tanto più effimera – quanto più intensa.

caraincertezza:

blackpicture:

René Burri
Colombian writer Gabriel Garcia Marquez. Barcelona (1999)

Gli disse che l’amore era un sentimento contro natura, che dannava due sconosciuti a una dipendenza meschina e insalubre, tanto più effimera – quanto più intensa.
— 10 hours ago with 115 notes

artemisdreaming:

Above: Noh - Stéphane Barbery | Flicker

From Wiki:  ”There are four major categories of Noh performers:  shite, waki, kyōgen, and hayashi.

There are four major categories of Noh performers: shite, waki, kyōgen, and hayashi.

Shite (仕手, シテ). In plays where the shite appears first as a human and then as a ghost, the first role is known as the maeshite and the later as the nochishite.

  • Shitetsure (仕手連れ, シテヅレ). The shite’s companion. Sometimes shitetsure is abbreviated to tsure (連れ, ツレ), although this term refers to both the shitetsure and the wakitsure.
  • Kōken (後見) are stage hands, usually one to three people.
  • Jiutai (地謡) is the chorus, usually comprising six to eight people.

Waki (脇, ワキ) performs the role that is the counterpart or foil of the shite.

  • Wakitsure (脇連れ, ワキヅレ) or Waki-tsure is the companion of the waki.

Kyōgen (狂言) perform the aikyōgen (相狂言) interludes during plays. Kyōgen actors also perform in separate plays between individual noh plays.

Hayashi (囃子) or hayashi-kata (囃子方) are the instrumentalists who play the four instruments used in Noh theater: the transverse flute (笛 fue?), hip drum (大鼓 ōtsuzumi) or ōkawa (大皮), the shoulder-drum (小鼓 kotsuzumi?), and the stick-drum (太鼓 taiko ). The flute used for noh is specifically called nōkan or nohkan (能管).

A typical Noh play always involves the chorus, the orchestra, and at least one shite and one waki actor.”

— 13 hours ago with 68 notes
artemisdreaming:

He allowed himself to be swayed by his conviction that human beings are not born once and for all on the day their mothers give birth to them, but that life obliges them over and over again to give birth to themselves. 
.
~Gabriel Garcí­a Márquez, 6 March 1927 – 17 April 2014

artemisdreaming:

He allowed himself to be swayed by his conviction that human beings are not born once and for all on the day their mothers give birth to them, but that life obliges them over and over again to give birth to themselves. 

.

~Gabriel Garcí­a Márquez, 6 March 1927 – 17 April 2014

— 13 hours ago with 140 notes
rusticmeetsvintage:

Bar Nine Coffee, Culver City by -R. E. ~- #flickstackr

Flickr: http://flic.kr/p/napku5

rusticmeetsvintage:

Bar Nine Coffee, Culver City by -R. E. ~- #flickstackr

Flickr: http://flic.kr/p/napku5

— 17 hours ago with 143 notes
archimaps:

Design for a cottage, England

archimaps:

Design for a cottage, England

— 17 hours ago with 89 notes
anotherboheminan:

(via Air Spaces | Interiors - Morning Room )

anotherboheminan:

(via Air Spaces | Interiors - Morning Room )

(via thisivyhouse)

— 1 day ago with 70 notes
thevuas:

Porta Nigra, Germany  -  Robert Clark  -  [via]

thevuas:

Porta Nigra, Germany  -  Robert Clark  -  [via]

(via thisivyhouse)

— 1 day ago with 2719 notes